My teenage cousin Damo sent me this review of 47 Ronin the other day. I thought it was a pretty good read and I was not intending on writing anything on the film myself, so thought I would publish it here. Some may question the wisdom of employing a teenager to write a film review. But when that gangly teenager knows Ken Watanabe is the boss, well the future is in good hands.
47 Ronin (2013), sounds simple enough – coolish cast, pretty decent sounding story and Keanu Reeves is in it! That guy from the movie about taking the pills! Though this one seemed to lack in certain departments (judging by the trailers) and every other person has panned it, I decided to give it a shot. So here we go.
The film sees Keanu Reeves as an outcast; loving a girl he can’t have; who guessed it? The whole star-crossed lovers thing was a little silly but I got past that. After an incident involving a bewitched lord and some land thieving our man Keanu ends up in exile. So far not a lot had gone on, but I felt something coming and wasn’t really surprised when the head of the dead lord’s Samurais (now called Ronin because they have no master to protect) goes looking for his buddies (other Ronin) to seek vengeance against the dude that took their land. Some five minutes later, he’s traversed half of Japan to seek Keanu Reeves who’s been enslaved to some sort of oriental fight club run by English pirates at some dock. Yada yada yada, they all meet up and get some swords, and all is looking up for the boys! The 47 men have vengeance in mind and travel to where intel tells them they can find the guy that I mentioned earlier. It’s a trap! MY GOD! That took nobody off guard! The boys regroup and decide to strike while the… ah.. Samurai sword is hot? Sorry, felt the need for a Samurai themed metaphor… The fight scenes that follow their attack are generic but Keanu Reeves’ cool extra special powers (he was trained by Japanese Demons called Tengu so look that up) help him kill a dragon/witch/scary/lady. YAY!
(SPOILERS AHEAD) Together, the Ronin kill all the baddies and vengeance is achieved, the boys go back home and their Shoman (head of all Japan and that) orders them to kill themselves. He grants them an honourable death and everyone’s’ happy. A cool ending in hindsight though, I appreciated that they kept the ending without some sort of Disney like “And then the Shoman decided to let them go because they helped save the day!” type get-up. Then some extra history to finish the movie about how the 47 Ronin shall never be forgotten and then yeah. Run Credits.
Looking back, the interesting moments were too brief and the script seemed 2nd rate. BUT, the cinematography blew me away and Keanu kills this cool looking animal by rolling under it and stabbing it! A pretty decent effort I thought. Though 47 Ronin was predictable; a little too typecast but I enjoyed it. I wouldn’t call it a waste of money or a bad movie, but it did leave much to be desired…
The international cast was a plus; full of goodness and talent; but if Ken Watanabe had been in it it would have been doubly awesome! Some cool modern Last Samurai (2003) stuff between Watanabe and Keanu Reeves would have been dynamite! Just because I love Ken Watanabe!
Verdict: Stubby of Reschs
Damo is my first cousin carrying on the family trade with his film reviewing chops. This is his first ever published review and far superior to my first ever published review. Damo is also a killer singer-songwriter, so give his stuff a play right here and like his music facebook page here.
As you can see, July turned into a pretty hectic watching month for me. An absolute Weeds marathon with my partner as well as a bunch of new releases left me with a whole bunch to write about here. Share your thoughts on these in the comments section below.
- Before Sunrise (1995), Richard Linklater – This is a schmaltzy concept that really shouldn’t work. Somehow it does though. Naturalistic performances from Hawke and Delpy along with fantastic dialogue help a lot. Tis charming to see such a high concept idea pulled off with zero pretension. Really captures that awkwardness of new love, or the possibility of it at least. Ethan Hawke’s goatee is absolutely rubbish in it though.
- Before Sunset (2004), Richard Linklater – In my opinion this improves on the first film and is actually something of a modern day classic. The device to bring the two main players back together is really clever as is the dealing with the conclusion of the first film. Again the dialogue is one of the chief joys. I am not sure how much is scripted and how much is improvisation. Incredible how the film picks the characters back up but also perfectly captures the time passed. I just watched the entire film with a smile on my face that these two characters had been reunited.
- End of Watch (2012), David Ayer – This didn’t cause much of a stir on release, but I think it should have. As a gritty, ‘day in the life’ look at life as a cop, I have not seen many better. The handheld style worked for me, it gave the film a real jolt of immediacy. The cops are not simplistically cast as heroes. At times they abuse their power. But the film sets out to present the events rather than to editorialise them. Searing stuff.
- This is the End (2013), Seth Rogen & Evan Goldberg – Whilst I did not enjoy this as much as most, it is still an enjoyable enough way to while away a couple of hours mindlessly. It is a little too clever for its own good and heaps of jokes fall flat. But enough meet their mark and the cast is charming enough too. Also features comfortable the greatest musical outro I’ve seen, a device which is generally pretty tired.
- Weeds Season 2 (2006), Jenji Kohan – Some of the plot points require a suspension of belief. But the central storyline of this season is gripping and builds to one of the best season finales I can recall. The show is unafraid to take on some pretty controversial subjects. Not always successful with it though, the storyline of a boy being sexually assaulted in a brothel is bungled. But every single character is really fully formed. Even the bloody kids are complex and interesting whereas usually they are totally neglected. My favourite season of a show I love.
- Weeds Season 3 (2007), Jenji Kohan – Starts a little slow after the incredible finish to season 2. But the dialogue is incredibly written and this is probably the funniest season to date. Plus the show continues to create the most interesting characters, including the peripheral ones. This is a really bold and open show, which is to be applauded.
- Mud (2012), Jeff Nichols – A little strangely for a simple film, I suspect this will open up with repeat viewings. The two young blokes are fantastic, especially Tye Sheridan who plays Ellis. I dunno what happened with Matthew McConaughey, but a couple of years ago he decided to stop wasting his talent and has been killer ever since, including here as the grizzled Mud. This is not, as has been suggested, a Huck Finn story. But it is definitely informed by that world.
- Ping Pong (2012), Anson & Hugh Hartford – A pretty intelligent doco. This focuses on a seniors table tennis tournament, but draws out a lot of other ideas in the process. Focuses on ageing and cultural difference and especially addresses and challenges the way we think about the care of the elderly in our society.
- Weeds Season 4 (2007), Jenji Kohan – This season kicks off with an extended cameo from the always awesome Albert Brooks. The show continues to take a mildly absurdist look at plenty of issues including a really well done euthanasia angle. Once again it doesn’t hold back at all and goes some really interesting places. Also mixes it up a little, almost turning into a drug running thriller and really begins to examine what is right and wrong about a life of crime. However in this season, the stories of the various family members do begin to feel a little disparate.
- Weeds Season 5 (2009), Jenji Kohan – The show remains clever at slightly reinventing itself whilst maintaining what drew fans to it in the first place. This season it gets better at balancing the disparate narrative storylines of the characters. It also introduces yet more peripheral characters that become firm favourites and make the show as a whole more interesting.
- The Heat (2013), Paul Feig – This is probably my favourite comedy of the year so far. I actually laughed a lot which I rarely do in comedies these days. Melissa McCarthy is possibly the best comedic performer going around at the moment and whilst Sandra Bullock has less to work with, she is a worthy foil. The heartfelt stuff is perhaps a little less successful, but thankfully there is not that much of it and the jokes keep coming thick and fast.
Not Worth Watching:
- Grown Ups (2010), 2010 – Don’t even ask me why I watched this. I was sick and it was clearly affecting my brain. Possibly the most terrible collection of characters ever – you want to slap each and every one of them. Literally within 3 minutes of putting this on, I was reconsidering my lifelong aversion to not finishing a film. Fumbles its good theme of how life can get away from you spectacularly. If sexism and unoriginal jokes about the elderly and physical appearance is your thing, you will have a blast.
- Man of Tai Chi (2013), Keanu Reeves – This truly terrible film is, aside from a couple of cool fight scenes, a complete and utter failure. Keanu Reeves gives one of the absolute worst performances I can recall. And the film shows him to be a pretty talentless director. Kinda cool to see a different martial art onscreen, but it does not get the film very far. Attempts and fails miserably to say something about our celebrity and reality TV obsessed culture. An absurdly bad film.
- Monsters University (2013), Dan Scanlon – Pixar are officially in a funk. Who knew the prequel to such a full of life and creative film could be so tepid. The narrative is a bland amalgam of every average college & high school flick you have ever sat through. Also, none of the highly unique design of the first film is on display here. Possibly my biggest disappointment of the year so far.
- Man of Steel (2013), Zack Snyder – Many will disagree but I found this a real bore. The flashbacks throughout are just origin story tick the box. Whilst the Krypton sequences are well realised, what follows is too slow and not meaningful enough. You think things will pick up when Supes dons the cape. But they don’t really, unless you count endless destruction with no real rhyme or reason as things picking up. Supes and his super foes are so super it proves quite hard to stage a grounded fight scene. I’m also not too sure what the very intentional invocation of 9/11 is meant to achieve. I do think the performances were pretty good though. Henry Cavill has the potential to be a long term Supes and Amy Adams is really good.
If you only have time to watch one Before Sunset
Avoid at all costs Man of Tai Chi