August turned out to be an overwhelmingly positive month, with only one dud among the whole lot. In fact there are a few of my absolute favourites of the year in here, probably all of them from quite unlikely sources.
- Lights Out (2016), David F. Sandberg – Has its issues but I liked this. Terrifying, though the scares are gimmicky and repetitive. Well performed, especially by Teresa Palmer who carries the film. The attempted mythos is a little silly but there are more original things here than average. The film gives the audience enough credit to do something really bold and shocking with the ending too. It also retrospectively gives the rest of the film more meaning and emotion.
- Point Break (2015), Ericson Core – In time this film will rightfully claim its place in the canon of good-bad movies. The dialogue is otherworldly in its awfulness. You will laugh a lot. None of that was intended by the filmmakers, but it is absolutely hilarious. It’s gloriously dumb. Extreme sports action sequences linked together with grizzled Ray Winstone mugging. You can’t get better than that. There’s also a healthy dash of spirituality seemingly mined from the depths of high school instagram accounts. Perhaps the worst dialogue ever. Iconic.
- Train to Busan (2016), Sang-ho Yeon- Stunning. One of the films of the year and perhaps my favourite zombie film ever. Creepily performed and well brought to life. The plotting is pitch-perfect. The way the events of the film rise and fall, escalating really nicely. Some of the character stuff early does not sit quite right. But over time that becomes as great a part of the film as any. Fuckin emotional too. Meaningful character arcs carved out in the midst of the zombie induced chaos. And that chaos is full of really awesome action set pieces that never lack clarity.
- The Hitch-Hiker (1953), Ida Lupino – Opening title card is super modern. Sucks the audience in, warning that the facts are real and someone in the audience could be behind it. Dripping in style from the credits on, creative about what the frame encompasses, use of shadow and constrained location of a car. Film brings a pretty terrifying serial killer hitch-hiker to life through simple, clean and dark storytelling. The psychology of the villain, his exercising of what he considers to be masculine power and the thrill of control is reminiscent of trends in crime fiction that would follow many decades later. Taut filmmaking with great performances, especially from William Talman as the villain.
- Spotlight (2015), Tom McCarthy – I wasn’t sure how I would go with this, but it is as good a straight up drama that I have seen in a few years. Tells a story quite specific to Boston and the very deep, problematic ties between the church and numerous aspects of the community (police, lawyers, media). Is also an excellent portrait of investigative journalism. The swirling build of an investigation, the process that has to be stepped through and devotion of those inspired by it. The huge ensemble cast is really exceptional and like he always seems to, Mark Ruffalo stands out. But they are all brilliant. Feels like a very true to life film. There’s a sense of timing to the film, the way the editing, dialogue and score all work together. Pretty much as good as pure storytelling on film gets.
- Women He’s Undressed (2015), Gillian Armstrong – This tale of an underappreciated (at least these days) early Aussie costume designer is a mixed bag. The treating of the identity of his male lover as some great mystery, or the use of a stand-in for unnecessary commentary from the subject were both unwelcome. But the straighter talking heads stuff, focusing on his career and adventurous life, is great and informative. For film fans there’s also some really good delineation of the differences between the classic studios. Also the history of homophobia in Hollywood is examined. Ends up being a portrait of a life in Hollywood vaguely filtered through Orry Kelly’s life, but capturing the up and down of his career quite well.
- Penguins of Madagascar (2014), Eric Darnell & Simon J. Smith – Totally disposable, but a lot less annoying than plenty of other animated efforts these days. Starts off with a cameo by Werner Herzog playing himself which is as awesome as it sounds. Also a film where I suspect a lot of this stuff would be going over kids’ heads. Not all that original, but has a nice anarchic spirit to it. Randomness to the humour lifts the stock standard plot. And there are plenty of chuckles to be had.
- Justice League: Doom (2012), Lauren Montgomery – Certainly not a hand-holding origin story as we are used to from superhero films. Though all the characters, especially Cyborg, get nice character moments toward the start. The scripting is quite funny, heavy on the cheesy wisecracks (which are mainly endearing). The story structure is simple but inspired, with one baddie pairing off with each goody. It’s well pieced together too, there are heaps of story strands but the storytelling is really clear. The visuals are great too, action sequences and shape-shifting creatures.
- How to be Single (2016), Christian Ditter – I like both Alison Brie and Rebel Wilson onscreen, especially the former. Watched this whilst sick and it was the perfect soothing film for that. Plus the female to male character ration is like 4:1. Which is always a good start in a comedy. There’s no real sense of story, but all of the cast are pretty charming. Forgettable, but totally fine.
- Suicide Squad (2016), David Ayer – This is not a well made film. It’s a mess. Almost an absurd one. I liked it though. Enough of the characters are fun. It’s really well performed by basically everyone. Though Leto’s Joker is essentially unwatchable. Does some interesting things with the villain. Interesting that both the big bad and the main hero who makes the decisive action are female. But the use of soundtrack is a major misstep, even if you can see what they are going for. And the central mission of the film is too long and often dreary. This is not good work by Ayer. But others make it worthwhile. Though it does have some legit problematic elements.
- National Gallery (2014), Frederick Wiseman – Opening (and closing) on silent shots of paintings, essentially recreating the experience of the gallery. A wonder of editing, moulding footage together. Not as stagnant as I expected, the camera dynamic in conversations. The combination of minutiae and story means it’s not at all boring. Storytelling comes both in how the film uses images to convey meaning and how the paintings do the same. A great window behind the scenes of an institution like this.
- Parks and Recreation Season 6 (2013), Greg Daniels & Michael Schur – Haven’t watched the show for a few years, but within literally 3 minutes I felt right at home. A hilarious show, with some of the best comedy characters ever. So many of them too, Ron Swanson, the incredible Leslie Knope and Aziz Ansari’s Tom Haverford who really shines this season. Also great guest stars such as Tatiana Maslany and Kristen Bell. Perfectly written – silly, cutting and damn funny.
Not Worth Watching
- Eddie the Eagle (2016), Dexter Fletcher – I was in the mood for something light, but this was very plain. The trailers that made it feel like a remake of Cool Runnings (1993) did not lie, because it hits a lot of the exact same story beats. Egerton is hammy, not helped by constant close-ups of his face mugging being the main storytelling technique. Nothing is really great, the script and score both average whilst the use of CGI on the jumps should have been avoided. Aiming for a trumped up version of 80s sports films but it’s just a bit annoying. Even Hugh Jackman is muted. Never involves you in the main character’s journey or taps into the inherent tension of the sport.
If you only have time to watch one Train to Busan
Avoid at all costs Eddie the Eagle