Monthly Archives: February, 2013

Trailer for your Weekend: Fast & Furious 6


Apologies for the relatively quiet week. The day job (they’re the worst aren’t they) has been hectic this week, including a trip on one day’s notice.

Anyways, let’s talk movies. The Fast and the Furious series has always been just about as daft as they come. I think I’ve seen three or so of them, and not particularly loved any of them. A lot of this is due to Paul Walker and Vin Diesel, who are utterly woeful actors. They are made to look even worse when they have to share the screen with The Rock. I think the former pro-wrestler has a lot of promise as an actor and is really quite watchable. So I may give this sixth entry into the series a go. Maybe. It does kind of look like the daftest film ever made. Is anyone actually a big fan of these films?

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Worth Watching January 2013

Here we go with my monthly round-up of films not featured in depth elsewhere on the blog. This feature will change and become smaller over the coming months as I am starting to write long reviews of more and more films that I see. However, I am sure I will never have the time nor desire to write in detail about every film I see, so expect it to stick around in some form.

Worth Watching:

  •  The Raid: Redemption (2011), Gareth Evans – This is definitely one of the better action films of recent years. Deliciously violent and stylish. I wouldn’t say it is particularly innovative, but it just executes all of the elements in an action film really bloody well. The fight scenes are really slickly shot, with a dynamic camera showing absolutely everything. One of the coolest films of 2012.
  • Wreck it Ralph (2012), Rich Moore – This was probably the best animated film of last year. A really fun computer game world has been invented, with the engaging characters to back it up. Sarah Silverman voices the main female character who is a wonderfully empowered female role model, the kind of which is all too rare. The relationship between her and Ralph forms the core of the film, which explores some really weighty themes whilst striking a balance between not being too dark and not too frivolous.


  • Black Water (2007), Andrew Traucki & David Nerlich – This is a very tense, sharp Australian creature feature rocking a killer crocodile. It is nicely shot and well paced. A cleverly utilised soundtrack helps with the latter. You don’t get too bored in between the action high points. An interesting dynamic between the three characters stuck up a tree adds greatly to the narrative which is slight. Some of what happens is quite confronting whilst the last third features some nice twists, without being too over the top about it all.

  • Life of Pi (2012), Ang Lee – An interesting film full of ideas. Which in some ways the much maligned framing device is key to teasing out. I liked the notion of religious pluralism that is examined early on. The supporting of the notion of human exceptionalism in my reading of the film I was not so fond of though. The big late reveal I did not like initially but it grew on me as time passed. It is a clever film that leaves multiple readings of the film acceptable to the viewer such as this one. And of course as everyone has said, the film does look amazing.
  • Les Miserables (2012), Tom Hooper – I thought my mind would wander endlessly in a 2 hour 40 minute musical. But this film engaged and captivated me throughout. I think everyone is really good in this, even the much trashed upon Russel Crowe. I think the only real weak link was Eddy Redmayne who doesn’t have any gravitas or singing voice. The young floppy haired bloke is absolutely incredible though. Blessed with one of the best character narrative arcs in all of literature, this is pretty impressive stuff. The close-up heavy style does occasionally make it look too much like the characters are singing into the mirror at home. But that is a minor quibble against a pretty excellent flick.
  • Django Unchained (2012), Quentin Tarantino – Hmmm. You have to see it because it is the new Tarantino flick and he really is one of our most original directors. But I think that his habit of taking the viewer out of the world of the film does not work too well here. It’s violent of course, but it feels like violence for violence’s sake rather than Tarantino’s usually stylish bloodletting. I just felt it got silly towards the end. Both Dicaprio’s and Samuel L. Jackson’s characters are pretty daft. But the performances of Waltz, Washington and especially Foxx are worth seeing the film for. As is much of the rather fine first half. The film is far, far too long though.


  • Hitchcock – I loved so much of the first half of this film – Hitch’s search for a new project, settling on Psycho, the way the real life case was weaved in. But this last aspect, as well as the rest of the film fell off strongly. Alma and Hitch made films for over 50 years, one of the great love stories. But the second half of this is just aspersion after aspersion especially against Hitch. It is great to see Alma Reville finally get a small amount of the vast attention her career deserves. Hopkins and Mirren are really fantastic in this.

Not Worth Watching:

  • 50/50 (2011), Jonathan Levine – This is one where I cannot really see the hype. I thought it was pretty poor. I didn’t find it at all funny, rather crass, sexist and unintelligent. Even worse for the subject matter, I thought there was very little heart in the film or examination of psyche. Whilst it is great to see Anjelica Huston onscreen again, the usually excellent Joseph Gordon-Levitt is strangely flat here. There are a couple of nice, tender moments toward the end, but for me it was too little too late. A shallow experience, a tale of two jerks rather than two best mates helping each other through a terrible time.


  • Snow White and the Huntsman (2012), Rupert Sanders – This aims for pretty epic and succeeds in being pretty average. The increasingly engaging and charismatic Chris Hemsworth is just about the only bright spot actually and his Huntsman is the most interesting character. This is a meditation on beauty, what it means in society and what some will do to maintain it. But it is an utterly unaffecting film. The usually excellent Theron is not at her best here in a scenery chewing turn whilst Kristen Stewart does not convince at all as Snow White.
  • The Hobbit: An Unexpected Journey (2012), Peter Jackson – My least favourite film of 2012. Kind of says it all really. If 48 FPS is the future of cinema as Peter Jackson claims, I’m not going to watch too many films in the future. The visuals distance the audience so much so that there is no way into this world for the audience. The script is woeful, especially the attempted lighter moments. Horrid expository dialogue, woeful effects. Someone needs to learn to say no to Jackson, because despite all his positives as a director, his excesses need reining in.

If you only have time to watch one The Raid: Redemption

Avoid at all costs The Hobbit: An Unexpected Journey

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AACTA Awards Review

Some of the grinning winners from The Sapphires

Some of the grinning winners from The Sapphires

So I thought I would recap the outcome of the AACTA awards that were held on Wednesday night and that I previewed last week. The full list of winners in the feature categories is listed below (winners in bold were ones I elected ‘would win’ in my preview, those underlined were once I said ‘should win’):

Best Supporting Actress – Jessica Mauboy in The Sapphires
Best Supporting Actor – Anthony Starr in Wish You Were Here
Best Lead Actress – Deborah Mailman in The Sapphires
Best Lead Actor – Chris O’Dowd in The Sapphires
Best Costume Design – Tess Schofield for The Sapphires
Best Production Design – Melinda Doring for The Sapphires
Best Original Music Score – Matteo Zingales and Jono Ma for Not Suitable for Children
Best Sound – Andrew Plain, Bry Jones, Pete Smith, Ben Osmo & John Simpson for The Sapphires
Best Editing – Dany Cooper ASE for The Sapphires
Best Cinematography – Warwick Thornton for The Sapphires
Best Adapted Screenplay – Keith Thompson and Tony Briggs for The Sapphires
Best Original Screenplay – Kieran Darcy-Smith and Felicity Price for Wish You Were Here
Best Direction  – Wayne Blair for The Sapphires
Best Film – The Sapphires

I did pretty well actually, with 11 of my 14 ‘will wins’ picking up the award. Mainly by picking The Sapphires a fair bit on what turned out to be a dominant night for the film. I was expecting them to take out the most awards, but was surprised at the level of dominance that the film enjoyed. I am a little gobsmacked that Burning Man received absolutely nothing and I know fans of Lore (which I haven’t seen) were a similarly surprised that it did not receive any awards. But I can’t have too many complaints, The Sapphires was a really enjoyable and upbeat film and with one or two exceptions (which I will refrain from mentioning), I think that the film was deserving of everything that came its way. Would just have been nice to see a little more variety.

Here’s hoping that the AACTAs can continue to gain traction within the Australian marketplace and get lots more people to see the films that are nominated and take out the gongs.

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The Film Brief Podcast: 2012 in Review

You may or may not know that I co-host The Film Brief podcast, which is Jon from The Film Brief’s baby. After a hiatus while Jon moved towns and got himself settled, the pod is having a bit of a relaunch. So I thought I would start plugging the shows on this site, just to keep the podcast in your minds and hopefully get some more folk listening.

We kicked off this new chapter with two podcasts celebrating the year 2012 in film. First off we did a bottom 5 of the year which should be  alraedy up on iTunes. And then we took it up a notch with our top 10 of the year, which should be up by the time you read this. There was plenty of agreement, and a fair bit of good natured but passionate disagreement too. Head over to iTunes, where you can subscribe to the podcast here.

One of the films that Jon and I disagreed on.

One of the films that Jon and I disagreed on.

Let us know your thoughts on the show in the comments section because we would love to hear absolutely any feedback you have. The new format will be a fortnightly pod featuring one new release and one classic, so feel free to suggest some titles.

We also disagreed on this film. I think you know where I stand on it.

We also disagreed on this film. I think you know where I stand on it.

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Trailer for your Weekend: Upside Down

upside down

I first became aware of Upside Down through another blog. For the life of me I cannot remember whose blog it was (as always), but I remember being struck by how incredible, if not entirely original, the premise of the film is.

Despite obviously not being everything, I think an awesome premise can get a film a long long way. So can killer visuals and I love how this looks with the two worlds coming so close to touching one another. Hopefully this film goes some really intriguing places. What do you guys think?

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